The frequency response is all about how low the bass goes, how high the treble goes, and what happens in between!
Often you’ll see it quoted as: 50Hz – 20KHz. Sadly without also quoting the level tolerance this figure is useless.
Charts are best
Here’s the frequency response of a SoundBucket:
This chart is a typical, frequency response chart: the frequency goes left to right, logarithmically, and the level goes bottom to top, in dBs. Because a dB is also a logarithmic measurement, they are spaced equally. The reason the frequency is displayed like this is because our ears work in a similar fashion. There are only 100 Hz between 100 and 200hz, but musically this has the same weight as the 10,000Hz between 10,000 and 20,000Hz.
So, looking at the chart, we can see that the response is essentially flat, but has wobbles from about 1000Hz upwards and the bass rolls off at the lower frequencies. This is normal – bass can never be flat to DC, and the way that you measure the speaker always gives you more detail and/or noise at the high frequencies.
It’s generally accepted that the flatter the curve the more tonally accurate the loudspeaker will sound. This makes sense: we can boost the bass to sound impressive for dance music, but if we then played a ballad, the voice would sound really boomy and wrong. A speaker with a flat response will sound good with any/ every type of music.
Now to measure the flatness, we measure how much the level deviates from the ideal flat line. The best speakers in the world have a wide frequency response that only deviates by +/- 1dB ( 1dB louder, 1 dB quieter). It’s again generally accepted that they need to do this over a frequency range of at least 170Hz to 15KHz, which is where most of the musical information lies. The SoundBuckets as you can see produce an exceptional response of 110Hz to 20KHz +/-2dB.
Response without tolerances
So how can we display the figures without a chart? Taking the SoundBucket chart above here’s some possibilities, all true.
The SoundBuckets frequency response is:
- 110 – 20KHz, +/-2dB, ref 1KHz
- 95 – 20,000Hz, +/-3dB, ref 1KHz
- 85 – 20,000Hz, +/- 3dB
- 60 – 20,000Hz, +/- 5dB
- 30-20,000Hz, +/-10dB
You can see how misleading these figures can be! What you also can’t see is what’s happening between the frequencies mentioned. There could be massive peaks and troughs all over the response – you’d hear these as unpleasant colouration. But as long as those peaks and troughs weren’t bigger than the tolerance, you wouldn’t be lying!
Also it’s helpful to have a 0dB reference. The 4th set of figures above demonstrates this – 85Hz is 6dB less than the 2dB peak at 2200Hz. If you listened to the speaker though with music, the level at 85Hz would be 4dB less than the average level.
Finally, most portable speakers use digital loudness compensation. What this means is that they boost the bass at low volumes to make it sound bassier. This is OK, except that when the volume goes up, they can’t cope, so they reduce the amount of bass they produce. At a low listening level they may boast a LF response of 80Hz, but at volume, the response could change to a high 150Hz!
So how do you read response figures without charts?
- If there is no tolerance quoted, ignore it completely. It’s a useless measurement that does not tell you anything about the speaker
- The industry standard is a response quoted with +/- 3dB tolerance levels. Ignore tolerances larger than this as they can hide nasty problems in the midrange.
- Ideally look for a reference point – 1KHz is typical, or you could be describing a curve, not a line.
- Look for a reference level for the reference point – 85dB at 1M is common. If not the speaker could have a loudness curve, and loose the bass at volume.
- The tighter the tolerance over the wider the frequency range the better
Finally it’s often useful to quote a figure when the bass drops below 10dB of the rest of the response. This represents half the loudness, and it’s a good indicator of how low you can hear bass notes. Most portable speakers drop off really quickly ( 4th order filter), but the SoundBuckets drop off half as fast (2nd order filter). From the above, the SoundBucket figure is about 55Hz. This should be shown as: LF cutoff: -10dB @ 55Hz (ideally referenced to 1KHz).
Not all charts are the same. Speakers can be measured differently, the responses can be filtered to make them loom smoother than they really are, and (my favourite) the vertical scale can be compressed. A 10dB vertical scale is the standard, but beware no scale or 20dB scales – the responses can look amazing!